Best Penguin Pottery in 2026

[THE ORIGINAL CLAY WEDGING BOARD] - Penguin Pottery designed the original MDF wedging board back in 2020. Today, it is a must-have pottery tool in the pottery tools equipment and supplies world. Manufactured in the USA from water-resistant renewable wood sources using Medex MDF, the highest-quality board material widely used in the ceramics industry (we do not use less water-resistant Masonite board or fiberboard as other brands).

[EASY TO CARRY AND USE] - We designed our clay board with a built-in handle to make it super easy to carry. Unlike other brands, our board has rounded edges, including the handle! We care about your experience so we make our board easy on your hands. We also do not add a canvas found in canvas covered board for clay to prevent accumulation of dry clay dust, a common problem with other mud tools.

[DURABLE AND STRONG] - Our clay boards are made with 3/8" Medex MDF on purpose, because it's the perfect thickness for strength and durability, without making it too heavy to carry. It also prevents clay from sticking, and works better than pottery plaster, clay mat, and polymer clay mat. Clay texture sheets, clay slab roller, pottery forms, pottery turntable, and pottery molds for clay can be placed on top. We also make our ceramic bats with Medex MDF. Check them out!

[THE ORIGINAL CLAY WEDGING BOARD] - Penguin Pottery designed the original MDF wedging board back in 2020. Today, it is a must-have pottery tool in the pottery tools equipment and supplies world. Manufactured in the USA from water-resistant renewable wood sources using Medex MDF, the highest-quality board material widely used in the ceramics industry (we do not use less water-resistant Masonite board or fiberboard as other brands).

[EASY TO CARRY AND USE] - We designed our clay board with a built-in handle to make it super easy to carry. Unlike other brands, our board has rounded edges, including the handle! We care about your experience so we make our board easy on your hands. We also do not add a canvas found in canvas covered board for clay to prevent accumulation of dry clay dust, a common problem with other mud tools.

[DURABLE AND STRONG] - Our clay boards are made with 3/8" Medex MDF on purpose, because it's the perfect thickness for strength and durability, without making it too heavy to carry. It also prevents clay from sticking, and works better than pottery plaster, clay mat, and polymer clay mat. Clay texture sheets, clay slab roller, pottery forms, pottery turntable, and pottery molds for clay can be placed on top. We also make our ceramic bats with Medex MDF. Check them out!

INSTALLATION - Works with all popular brands - Amaco, Shimpo, Speedball, Laguna, Skutt, Others.

PACKAGE - includes 2 pcs 1/4 inch x 1 inch bolts and wing nuts.

MATERIAL - Pottery bat pins are made with stainless steel standard thread.

Sodium silicate can be used in several ceramic applications: (a) it is used to prevent lumping when slip casting; (b) it can be used to create a crackled texture on ceramic surfaces; and (c) it also reduces viscosity and water needs in pottery and ceramics.

Using it as a Deffloculant: Penguin Pottery's Sodium Silicate Solution is used to deflocculate (ie. prevent lumping) casting slips. Our sodium silicate causes the particles of clay to repel one another and remain suspended. Please note that, over time, plaster will absorb the solution and will deteriorate / erode.

Using it to Achieve a Crackled Surface: If you want to achieve a super-interesting crackled clay surface, you can apply Penguin Pottery sodium silicate to your piece right after you finish throwing (before you fire it). Just apply with a brush, wait until it dries, and the place your hands inside the piece and expand the sides.

[WHAT IS WAX RESIST?] - Wax resist creates a barrier between the clay and ceramic glaze. Wax naturally repels water and seals over the ceramic clay to keep glaze out. Our wax is made in the USA and has excellent quick drying properties with just the right viscosity so it brushes evenly and smoothly.

[HOW TO USE IT] - The most common use is to paint the bottoms of pots and plates before applying pottery glazes (a glazed bottom will likely likely stick to the kiln furniture when firing). Another awesome application is to paint designs on your pieces to create negative space and show off the unglazed clay. Wax resist will also slow down drying of your pottery clay.

[FIRING WAX RESIST IN A POTTERY KILN] - Don't worry about applying as much wax resist as you need to your ceramic clay. Wax will burn off at low temperature during the bisque firing process, revealing designs, base colors, or just unglazed clay underneath. That's why wax for pottery is such a fun and awesome tool in your pottery supplies toolkit!

Penguin Pottery Stains are a great way to add color to your clay, clay slip, glazes and underglazes

Our stains can be fired at all temperatures (low fire, mid fire, high fire)

Combine stains to achieve a huge range of fascinating colors!

Kiln wash is a protective layer that is applied to your kiln shelves to prevent glazed pieces from sticking while firing.

Your glaze may run, your pot may tip over, or you may over-fire the clay. This makes kiln wash an important preventative measure for all glaze firings.

How to Use: apply several thin coats to the top layer of your shelves, letting it dry thoroughly in between each coat.

Made of high-quality soft suede leather

Used for compressing and smoothing the upper edges of thrown ware

Can also be used to smooth leather-hard pieces

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Penguin Pottery Gum Solution slows down glaze drying time and prevents cracking.

Apply to glazes to improve their brushability and achieve a more even application.

You can also apply our Gum Solution to dried up glazes by diluting them with water first, then adding our Gum Solution (as needed) to improve their brushability.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our low fire glazes are perfect for school projects, classrooms, studios, and potters who fire at cone 06 to cone 04. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our mid fire glazes offer similar color ranges to our low fire glazes, but also introduce interesting effects and tonality not available in low fire glazes when fired in a pottery kiln at cone 5 or cone 6. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our low fire glazes are perfect for school projects, classrooms, studios, and potters who fire at cone 06 to cone 04. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

Our glazes made in the USA by expert potters. They are lead-free, non-toxic and food safe (when properly fired and tested). Our low fire glazes are perfect for school projects, classrooms, studios, and potters who fire at cone 06 to cone 04. Sometimes glaze contents will settle. That's normal! Ceramic glazes need to be fully mixed to ensure smooth application. We recommend mixing for at least 1-2 minutes.

Pottery glaze must be fired in a pottery kiln at the correct temperature. Do not fired in a kitchen oven. Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Over-firing will damage the piece and possibly the kiln. Under-firing will give you ugly results that will not look like the swatch image.

Glazes will react differently (and look different) depending on several factors, including: (a) the temperature at which they're fired: even small changes in temperature can lead to different outcomes; (b) the clay body on which the glaze is applied: the same glaze will look different if applied to a darker vs. lighter clay; (c) the speed at which your kiln reaches the target temperature; and (d) how much oxygen is in the kiln's atmosphere while firing. Test before applying.

[EXCLUSIVELY BY PENGUIN POTTERY!] - After many months of research, Penguin Pottery is introducing the first Glow in the Dark glaze for ceramics and pottery! We are so excited to bring you this amazing new ceramic glaze line and can't wait to see what you create! Check out the video we made, you're going to love it! Just in time for Halloween! Get everyone's attention making original decorations for special occasions. Great Christmas gift and original birthday gift.

[EASY TO USE] - You can paint our glow in the dark glaze onto greenware, bisqueware or already-glazed finished work . This glaze should be fired to a fast cone 06. Any hotter and the glaze may lose its glow. Contents may settle at the bottom of the jar. Stir with every dip of your brush. The glow glaze doesn’t have a glossy smooth finish and that’s normal. For a glossy finish, cover it with our low fire clear glaze formulated (sold separately) and fire them together at cone 06.

[FIRE IN POTTERY KILN] - Pottery glaze must be fired in a pottery kiln. Do not fired in a kitchen oven. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Our glow glaze is nontoxic but has not been tested for food safety. We don’t recommend painting this glaze on surfaces that will have food on them.

[EXCLUSIVELY BY PENGUIN POTTERY!] - After many months of research, Penguin Pottery is introducing the first Glow in the Dark glaze for ceramics and pottery! We are so excited to bring you this amazing new ceramic glaze line and can't wait to see what you create! Check out the video we made, you're going to love it! Get everyone's attention making original decorations for special occasions. Great Christmas gift and original birthday gift.

[EASY TO USE] - You can paint our glow in the dark glaze onto greenware, bisqueware or already-glazed finished work . This glaze should be fired to a fast cone 06. Any hotter and the glaze may lose its glow. Contents may settle at the bottom of the jar. Stir with every dip of your brush. The glow glaze doesn’t have a glossy smooth finish and that’s normal. For a glossy finish, cover it with our low fire clear glaze formulated (sold separately) and fire them together at cone 06.

[FIRE IN POTTERY KILN] - Pottery glaze must be fired in a pottery kiln. Do not fired in a kitchen oven. Ceramic glazes are classified according to a temperature range ("cone") in three general groups: "low-fire," "mid-fire," and "high-fire." Your ceramic kiln must be temperature calibrated to confirm it is firing at the target temperature / cone. Our glow glaze is nontoxic but has not been tested for food safety. We don’t recommend painting this glaze on surfaces that will have food on them.

Made of stainless steel, compact appearance, durable to use. Quality materials create different processes.

Light weight and easy to use, safe for kids and children.

Applied to all level pottery and sculpting beginners, hobbyists or professional.

This Mini Modeling Tool Set consists of 5 double ended tools, providing different tool shapes to cut, carve, smooth, and create texture when sculpting. SIZE: 13.3-15.6cm/5.2-6.1inch; Approx.

Create textured grooves with the forked end and carve out concave areas with the small curved tool. The rounded ball end can smooth out hard to reach places while the pointed tool shapes fine details with precision.

Cut and contour with the large blade end and smooth surfaces evenly with the rounded end tool. The rounded paddle end can be used to gently flatten areas and the hooked end incises and removes clay with accuracy

Handles made with a durable polymer and is ergonomically shaped to give you a good and comfortable grip

No more wrapping wire or fishing line around your fingers

High grade surgical stainless steel braided cable which is more resistant to kinking than traditional cut-off wires

Dual combination, more effective tool application, save space, enhance function use

5 pieces 2 way total 10 different DIY Ceramic Clay Indentation Tool: White silica gel and flower needle, convenient, quick. Molding, mixing, drawing

Different sizes of metal ball tool: There are 4 pieces of double-ended metal ball tools, and both sides have balls of different diameters, thus there are 8 balls for you to use

42 pieces in total: contain most of clay tools you will need, great for carving, shaping, modeling, cutting, scraping, brushing, smoothing and so on.

Keep your pottery tools organized with this strong zip-up case. Individually stored to make it easy to find the right tool at a glance and gives you compact storage for keeping at home or in your studio, and ideal for bringing your equipment to pottery class.

Double-sided design for a variety of shapes and uses, make your work more flexible.

Material: The Pen Tip Is Made Of Silicone; Soft Rubber Tips And Aluminum Tube, The Wooden Handle Is Durable And Sturdy, Hard To Bend; Delicate Design.

Package Included: 10 Pieces; 15 Different Ways To Make Various Craft Projects.5 Pieces 2 Way Total 10 Different DIY Ceramic Clay Indentation Tool.

Feature: High Quality, Less Weight, Easy To Handle With In Your Hand And Easy To Clean; Head Shape: Taper Point, Angle Chisel, Flat Chisel, Cup Chisel, Cup Round.