Best Jack Richeson Paint Palettes in 2026

You are mid-stroke on a delicate watercolor landscape when you realize your plastic palette has stained your pigments permanently. Switching to this MEEDEN porcelain tray changes the entire workflow because the premium white ceramic surface keeps colors vibrant and true to their original hue. The rose pattern isn't just decorative. The smooth, stain-resistant interior makes mixing gouache or acrylics effortless, and cleanup is a breeze since it is fully washable. I particularly appreciate the thoughtful design of the heart-shaped groove on the back, which acts as a non-slip grip to keep the palette steady while you work. At six inches in diameter, it is a compact, elegant essential that doubles as a charming organizer for beads or small craft supplies.

Outdoor artists often struggle with the lack of a stable, organized workspace when painting on location. The Jack Richeson Sienna Plein Air Palette Box solves this instability by mounting directly to the Sienna tripod or most round-legged tripods, creating a dedicated workstation in the wild. I was particularly impressed by the versatility of the tempered glass palette, which allows you to switch seamlessly between watercolor and pastel workflows. The setup includes two 6.5" x 10.5" folding accessory trays that keep your tools within reach, and the removable blocks make cleaning up a breeze. Measuring roughly 11.5 by 13.25 inches, it provides a compact yet highly functional footprint for any landscape painter looking to professionalize their mobile studio.

The satisfying snap of tearing away a used sheet is the ultimate cure for studio cleanup fatigue. I spent hours working with the Bellofy palette paper, and unlike standard thin sheets, this poly-coated surface remained incredibly sturdy without bending under the weight of heavy oils or acrylics. The 9x12 inch surface area provides ample room for complex color mixing, and the ergonomic shape feels natural in your hand during long sessions. Since this set includes two pads with 50 sheets each, you can move from one color study to the next without ever scrubbing a plastic tray again. It truly transforms the messy reality of painting into a streamlined, professional workflow where the only thing left behind is your art.

Most art supplies end up being bulky, difficult-to-clean messes, but these Hutou palettes offer a streamlined alternative for messy creative sessions. I found the 6.7-inch diameter to be the perfect middle ground for student projects, providing enough surface area for color mixing without taking up the entire desk. The high-quality plastic feels surprisingly sturdy and break-proof, which is a massive relief when working with younger children or in a busy classroom setting. Because they are lightweight and only 0.4 inches deep, they are incredibly easy to carry around or toss into an art bag. Cleanup is a breeze thanks to the smooth surface, and they even work as clever little trays for decorating party treats like cupcakes.

A classroom of energetic students is about to dive into a massive watercolor project, and the usual mess of liquid bottles is nowhere to be found. These Jack Richeson tempera paint cakes are a total game-changer for art education because they swap out messy, spill-prone liquids for solid, easy-to-manage cakes. Each 2-1/4 inch disc packs a massive punch, offering the same covering power as a full 10.0 oz. bottle of liquid tempera. The nine assorted colors provide a rich spectrum for any creative task, and the included tray keeps everything organized. Most importantly, the ACMI certification ensures these are non-toxic, making them a safe, efficient choice for high-volume art activities without the constant cleanup headache.

The Jack Richeson Porcelain Palette stands out immediately because of its elegant, hand-glazed pure white finish. I found that using a porcelain surface makes a massive difference when you are working with delicate water media, inks, or dyes, as the material provides a much smoother mixing experience than standard plastic alternatives. The twelve round wells are sized perfectly for keeping different pigments organized, and the included plastic cover is a lifesaver for protecting your workspace or keeping your pigments safe during travel. It is one of those rare tools that is as much a piece of functional art for your studio as it is a high-performance mixing surface. At just over twenty dollars, it feels like a professional upgrade that truly elevates your creative setup.

The Jack Richeson 22 Wells Plastic Palette is a foundational tool for any painter looking to streamline their workspace. I found the lightweight plastic construction makes it incredibly easy to move around the studio without feeling cumbersome. The layout is particularly clever, offering twenty-two dedicated wells to keep your primary colors organized and separated. What really sets this piece apart, however, is the expansive center area. It provides ample room for large-scale color mixing that smaller palettes simply can't accommodate. Since it includes a cover, you can protect your setup more easily. It is a practical, no-nonsense solution for artists who prioritize organized color management and significant mixing space.

Why settle for a messy workspace when a compact, organized station can transform your painting process? This Jack Richeson palette is a surprisingly efficient tool for any artist looking to streamline their color mixing. The pure white plastic tray provides a clean, neutral base that allows you to see your pigment accuracy without any color distortion. With ten dedicated wells to hold your paints, you won't be hunting for shades mid-stroke. I particularly like the included clear plastic cover. It keeps your palette protected, but it also doubles as a secondary mixing surface when you need extra real estate. At just under seven inches in diameter, it is the perfect size for portable kits or small studio setups without taking up too much room on the desk.

The Masterson Sta-Wet Palette is an essential workflow upgrade for any artist tired of wasting expensive pigments to evaporation. This 16 x 12 inch airtight system solves the most frustrating part of the creative process by keeping oil-based paints, professional acrylics, and even standard wet paints fresh for days. I love how it eliminates the need for messy plastic trays or makeshift holders. You simply lay your colors down and snap the lid shut. It is remarkably versatile, working seamlessly with major brands like Arteza and Citadel, making it a reliable tool for everyone from hobbyist kids to advanced painters. It truly transforms your studio setup into a much more efficient and cost-effective environment.

Mixing a complex gradient of ochre and ultramarine becomes much more fluid when you aren't fighting a rough surface. I spent an afternoon testing this Jack Richeson wooden palette, and the first thing that struck me was the exceptionally smooth finish. It allows the brush to glide effortlessly across the wood, which is essential for precise color blending. At 12 by 16 inches, it offers a generous workspace for larger canvases without feeling cumbersome. Most importantly, the ergonomic design actually helps reduce hand fatigue during long painting sessions. It is a reliable, straightforward tool that lets you focus entirely on your technique rather than your equipment.

The Jack Richeson 7 Well Flower Palette is a charmingly functional addition to any watercolorist's toolkit that prioritizes both aesthetics and organization. Measuring just under seven inches, this palette offers a compact footprint that won't clutter your workspace, making it an ideal companion for plein air painting or small studio setups. The seven distinct wells allow you to separate your pigments effectively, preventing unwanted color bleeding while you work. Despite its lightweight profile of only 0.3 lbs, the design feels intentional, featuring a decorative floral motif that elevates the simple act of mixing paints. It is a straightforward, reliable tool for artists who need a portable way to manage their color transitions without carrying a heavy, oversized tray.

After weeks of use in my studio, this Jack Richeson palette has become an indispensable part of my daily painting routine. The high-impact plastic feels remarkably sturdy, providing a reliable surface that doesn't flex while I'm working with heavy-bodied acrylics or fluid watercolors. I particularly value the thoughtful layout of the wells. Having eight square mixing sections alongside a mix of large and small round wells allows me to organize my color transitions perfectly. The white surface makes color accuracy easy to judge, and the rounded edges are a subtle but brilliant touch that prevents my expensive brushes from catching or fraying. Cleanup is a breeze, which is a massive relief after a long session of color mixing.

The Jack Richeson Lock Box Palette stands out immediately due to its unique natural characteristics that ensure no two pieces are exactly alike. As someone who appreciates fine craftsmanship, I was impressed to find this piece is manufactured right here in the United States using only the highest grade materials. It has a substantial, quality feel to it despite weighing just under a pound, making it easy to handle during a creative session. Because it leans into its organic nature, you aren't just getting a mass-produced tool. You are getting a specialized piece of equipment that carries its own distinct personality. It is a reliable, well-made addition to any home studio setup for those who value authentic material quality.

Every watercolor enthusiast looking to elevate their workspace without breaking the bank needs this Jack Richeson palette in their kit. I was immediately struck by the weight of the material. It uses a heavy, porcelain-like plastic that feels much more substantial and professional than your standard flimsy hobby trays. The thirteen wells are arranged in a charming floral shape, making it as much a piece of decor as it is a functional tool. Cleanup is remarkably straightforward, which is a massive win when you are dealing with pigmented washes. It strikes that rare balance of being incredibly affordable while still offering the durability and tactile satisfaction required for serious creative sessions.

Messy workspaces and wasted pigment are the biggest hurdles for any artist trying to maintain a steady creative flow. This Jack Richeson slant palette solves that chaos by providing a structured, organized layout for your colors. The 8 built-in wells allow you to separate different mediums effectively, keeping your mixing area tidy and your colors from bleeding into one another. At just under three-quarters of an inch high, it offers a comfortable ergonomic angle for mixing while remaining easy to store. Whether you are setting up a professional studio or a classroom environment, the white plastic surface makes it simple to see your color accuracy and even easier to wipe clean for your next session.

Most artists struggle with cumbersome, unstable setups when painting en plein air or in a cramped studio, but the Jack Richeson Supply/Palette Box turns your tripod into a professional workstation in seconds. I found that the way this unit clips directly onto the front legs of a tripod makes it incredibly stable, especially with those four rubber bumper feet preventing any unwanted sliding. The removable tempered glass palette is a game-changer for color mixing, and having a folding brush holder and integrated storage means you aren't hunting for tools mid-stroke. Whether you are teaching an art class or setting up for a workshop, the two adjustable clamping blocks allow you to customize the height perfectly for your comfort. It is a sophisticated, portable solution for anyone tired of makeshift tabletop setups.

Most artists mistakenly assume that plastic mixing trays are the gold standard for color accuracy, but the Jack Richeson Porcelain Palette proves that material science actually matters more than convenience. The hand-glazed, pure white porcelain surface provides a neutral foundation that doesn't distort your hues, making it an essential tool when you are working with sensitive inks, dyes, or water media. I found that the twelve medium wells offer just the right amount of separation for complex color blending without feeling cramped. Beyond its functional utility for precise mixing, the tray itself is quite elegant, looking more like a piece of studio decor than a mere utility item. It is a rare case where a tool is genuinely as beautiful as it is practical.

Serious watercolorists and ink artists deserve a mixing surface that actually respects their medium rather than absorbing it. This Jack Richeson porcelain palette is a game-changer for anyone tired of flimsy plastic alternatives that stain or warp over time. The hand-glazed pure white porcelain provides a perfectly smooth, non-porous surface that makes blending dyes and water-based media feel incredibly intuitive. I love how the five round wells allow for organized color separation, while the included plastic cover ensures your carefully mixed gradients stay protected when you aren't working. It is a rare tool that manages to be both a heavy-duty functional workhorse and a beautiful piece of studio equipment that looks stunning on a desk.

You are mid-way through a complex watercolor landscape and realize your white palette is making it impossible to judge the true value of your shadows. These Jack Richeson Grey Matters pads solve that exact headache by providing a neutral grey surface that allows colors to pop without the optical distortion caused by bright white backgrounds. Each 6 by 9 inch sheet is sized perfectly for a portable setup, and since they come in a pack of four with 50 sheets per pad, you won't run out mid-session. I love how easy it is to just tear off a used sheet and start fresh, making the cleanup process almost nonexistent for busy artists. It is a professional-grade way to keep your color mixing accurate and your workspace tidy.

The slick, frictionless surface of this tempered glass insert immediately transforms how you blend pigments during a plein air session. Specifically designed as an accessory for the Sienna pochade box, this 10" × 12" pane offers a much harder and more durable foundation than standard glass options. You will notice the smooth finished edges right away, which makes the transition from mixing to cleaning feel safe and effortless. It provides an ideal, non-porous surface for paint to glide across, ensuring your color transitions remain precise. Because it is tempered, it stands up to the rigors of outdoor painting better than typical glass, making it a reliable essential for any serious artist working from a portable setup.

You might assume a seven-dollar plastic palette is just another flimsy piece of studio clutter, but this Jack Richeson piece actually holds its own on the workstation. I was pleasantly surprised by the material. It has a smooth, porcelain-like finish that feels much more substantial than your standard cheap plastic. At six inches in diameter, the medium weight provides a steady base that won't slide around mid-stroke, while the seven distinct wells keep your pigments organized and separated. It is an impressively functional tool for the price point, offering a clean surface that mimics higher-end ceramic options without the fragility or the heavy price tag. It is a simple, reliable addition to any home art setup.

The Jack Richeson Wooden Oval Palette is an essential studio companion defined by its exceptionally smooth finish. When you are deep in a painting session, the last thing you want is a rough surface catching your brush or causing unnecessary hand strain. This 12" x 16" oval provides ample space for color mixing, and the refined texture is specifically designed to reduce fatigue during long stretches of creative work. It feels substantial yet stays incredibly low-profile at just 0.05" high, making it easy to maneuver. Whether you are a professional or a hobbyist, having a reliable, snag-free surface makes the entire process of blending pigments feel much more fluid and intuitive.