Best Audix in 2026

Sturdy, compact, and easy to position

Wide frequency response of 50 Hz – 16 kHz

Provides clear sound reproduction without having to rely on EQ

Heavy-duty nylon molded snap-on clip

Metal thumbscrew locks holder firmly into position

Works on stands with either a 5/8” or 3/8” threaded surface.

High-quality sound at very high SPLs without distorion or feedback. Naturally attenuated at 120Hz to reduce boominess and handling noise. Mid-range tailored for clarity and presence VLM (Very Low Mass) technology delivers outstanding transient response.

The OM5 is known for its clarity, resistance to feedback and ability to handle sound pressure levels in excess of 144 dB without distortion.

The OM5 is characterized with an extremely tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage.

Wide frequency response of 40 Hz – 18 kHz

Ability to handle SPLs in excess of 144 dB

Lightweight, compact, and easy to position

Transformerless design

Low impedance

Balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free

Small, lightweight, low profile

Natural, accurate sound reproduction

Easy to use and set up

Flexible mini-gooseneck

Drum tension lug mount

Includes DCLIP plactic clip for D series

Cardioid pickup pattern and a smooth uniform response over a frequency range of 40-20k Hz

Precision machined from solid brass with a low reflective Black E-coat finish

Designed with low noise electronic circuitry

Product 1: VLM (Very Low Mass) capsule

Product 1: Tailored frequency response

Product 1: DVICE mounts

Professional set of 5 drum microphones for stage or studio

Work in tandem to replicate each drum accurately and independently

Easy to set up and position

Type: Dynamic

Polar Pattern: Hypercardioid

Frequency Response: 68Hz - 18kHz

Hyper-Cardioid Polar Pattern

Contoured Mid-Bass Frequency Response

144dB SPL

7 high quality mics for drums and percussion

Includes DFLEX clips for rim mounting

Durable road worthy construction

Utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage

Frequency response of 50 Hz – 16 kHz

Ability to handle very high SPLs without distortion

D2: Used for stage, studio and broadcast applications

DVICE: Attaches to any rimmed drum; Can be placed exactly where you want it; Accommodates any 5/8" mic clip; Can be put in place using just one hand; Low profile, low mass; Precision molded of composite material

VERSATILE RACK TOM MICROPHONE: The Audix f2 is a dynamic mic designed to optimize the sound of rack toms, floor toms, and various percussive instruments, delivering punch, impact, and exceptional isolation.

CAPTURE DISTINCT PUNCH AND IMPACT: With its tailored frequency response and impressive 139dB SPL capability, the f2 excels at capturing the distinct punch and impact of percussive instruments, including congas, brass, sax, guitar, and bass cabs.

HYPERCARDIOID PICKUP PATTERN: The f2's hypercardioid pickup pattern ensures exceptional isolation and feedback control, allowing precise sound capture and minimizing unwanted ambient noise.

Miniaturized, powerful condenser clip-on microphone

Handles very high SPLs without distortion

Features Device rim mount clip for drums

A professional set of 4 drum microphones for stage or studio

Designed to capture the essence of a full kit with the least number of microphones

Combines close-miking technique for kick and snare with overhead ambient microphone placement

5 high quality mics for drums and percussion

Includes DFLEX clips for rim mounting

Durable cast bodies and steel grills

BUILT WITH YOU IN MIND: The OM5 is characterized by an extremely tight and uniformly controlled hyper-cardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM (Very Low Mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response.

GO WIRELESS: The OM5 is a dynamic vocal microphone used for live performances, studio, and broadcast applications. The OM5 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback, and ability to handle high SPLs in excess of 144 dB without distortion. The OM5 is known for its clarity, resistance to feedback, and ability to handle sound pressure levels in excess of 144 dB without distortion.

IDEAL FOR VOCALS, SPEECH, HORNS, GUITARS, FLUTE, PERCUSSION & DRUMS: The hyper-cardioid polar pattern provides off-axis rejection of over 25dB and extremely high gain before feedback and features 40 Hz to 19 kHz frequency response with a mild rise in the low-mid frequencies for added body, and a presence boost for high-end clarity. Unconventionally low output level (8 to 10 dB lower than typical dynamic microphones) serves as a natural pad at the capsule to maintain high fidelity at the source.

BUILT WITH YOU IN MIND: The OM2 is characterized by an extremely tight and uniformly controlled hyper-cardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM3 employs a VLM (Very Low Mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response.

GO WIRELESS: The OM2 is a dynamic vocal microphone used for live performances, studio, and broadcast applications. The OM2 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback, and ability to handle high SPLs in excess of 140 dB without distortion. The OM2 is known for its clarity, resistance to feedback, and ability to handle sound pressure levels in excess of 140 dB without distortion.

IDEAL FOR VOCALS, SPEECH, HORNS, GUITARS, FLUTE, PERCUSSION & DRUMS: The hyper-cardioid polar pattern provides off-axis rejection of over 25dB and extremely high gain before feedback and features 50 Hz to 16 kHz frequency response with a mild rise in the low-mid frequencies for added body, and a presence boost for high-end clarity. Unconventionally low output level (8 to 10 dB lower than typical dynamic microphones) serves as a natural pad at the capsule to maintain high fidelity at the source.

Polar pattern: Hyper cardioid

Frequency response: 40Hz-20kHz

Impedance: 150 ohms

Cardioid Polar Pattern

Frequency Response - 50Hz - 16Hz

VLM (very low mass) Type B capsule

Type: condenser

Polar pattern: Cardioid

Frequency response: 60Hz - 19kHz

Audio analog or digital: analog frequency response: 50z to 18kHz Max SPL: 140 dB Range line of sight

Whether you are a vocalist, musician, performer or Presenter, the Audix performance Series is designed to take the mystery out of wireless with a professional system that is simple, reliable and versatile

Going from set up to performance is as easy as: Scan - Press the hot key to scan for a clear frequency (6 seconds)

Gold-sputtered diaphragm

High quality sound, affordable excellence

Ideally suited for vocals, overheads, guitar cabs, acoustic instruments

Affordable dynamic instrument microphone for live sound or home studio

Punchy low end with excellent attack

Ideally suited for kick drum, floor toms, bass cabs

The best affordable vocal mic on the market

Durable zinc construction Steel mesh grill

Slight mid-range boost for vocal presence on/off

Audio analog or digital: analog frequency response: 50z to 18Khzmax SPL: 140 dB Range line of sight

Going from set up to performance is as easy as: Scan - Press the hot key to scan for a clear frequency (6 seconds)

Sync - Press the sync key to lock in the transmitter to the receiver (2 seconds)

Natural accurate sound quality

Highly sensitive

Lightweight and comfortable