Best Catalinbread in 2026

Super Lead: The ‘Super Lead’ mode gives you the great rock sound of a Marshall Super Lead amp with awesome harmonics, touch sensitivity, cab thumb, and kerrang.

Super Bass: The ‘Super Bass’ mode gives you the tone and gain structure of a Marshall Super Bass (which is very similar to a JTM45, JTM50/100, or very early plexi)

The Super Lead and Super Bass are two remarkably different amps, and so the DLS is essentially two pedals in one, not a two channel pedal

Reproduction of the iconic 1970’s Maestro Echoplex EP-3

24-bit high-fidelity digital delay line

Expression pedal control over delay time, delay playback head volume, and rotary speed and filter sweep behaviors

Three carefully voiced controls that are as responsive and musical as you want them to be throughout the entire range of the knobs

Attn. (Attenuate) -This control should normally be set full counterclockwise. For best tone and response, only attenuate when you’ve got the Gain and Body knobs really cranking and need to reduce the output some

Gain - This control increases the gain for more fuzz, harmonics, and upper-midrange frequency boost. It is voiced to be usable throughout its range from minimum all the way to maximum

The Zero Point Flanger is the most direct analogy to studio tape flanging that anybody has come up with.

It is a REAL TIME effect not a typical modulation effect.

Unlike all other pedal flangers, there is no LFO that presents a predictable up and down swooshing sound, the trite flanger effect that died in the 80s.

Intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit

At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three

One path contains a “symphonic” chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched

Overdrive inspired by the 1970 Royal Albert Hall performance

Authentic 3 knob tone stack from the ‘Jimmy Page’ Hiwatt

Designed to give incredible dynamic response with your pick attack and your guitar's controls

Range, Gain, Presence and Vol 4 controls

Optimized for drop-tuning but works equally well for standard tuning thanks to the RANGE control

Customize the treble-booster section of the circuit and adjust it anywhere from treble-boost to full-range boost

Overdrive Pedal f Electric Guitar

Classic tone Tone, drive, and level controls

Tone, drive, and level controls give you access to warm, amp-like overdrive that's touch sensitive and ready to rip

The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways

🎸[2 overdrive modes] Warm: The classic TS overdrive sound replica. Hot: More powerful, a louder, tightened sound.

🎸[Style-type] Combining iconic vintage tube overdrive sound with wide dynamic range, Donner overdrive pedal gives you a wide tonal range from smooth whispers to searing leads.

🎸[Easy to use]Flexible knobs for tone control: LEVEL (output volume), TONE (brightness) and GAIN (overdrive amount).

Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads

Nails that sweet spot where a tube amp goes from sparkly clean to warm overdrive

Use the RAT 2 as a boost for solos and get the extra kick you need

Special edition WAZA craft pedal delivers the ultimate BOSS tone experience

Premium sound based on the legendary sd-1 super overdrive

Newly revised, all-analog discrete amplifier circuit

Disttion Overdrive Effects Guitar Pedal with Tube Amplifier Simulation Blues Guitar Tone with Level

Gain Controls

Classic "blues" guitar tones with tube amp simulation

New Version 2 features top-mounted jacks

Hand built in the U.S.A.

Captures the classic "Brown Sound" in a pedal

Designed to be a versatile addition to any setup, any style

Use with other pedals to shape the total gain, as a stand alone overdrive, or as a slightly dirty boost to push the front end of your amp

Can even be used as a buffer because this pedal is not true bypass

Model: PAISLEYDRIVE Vs. 2

Hand made in the U.S.A

High grade film capacitors and resistors picked for their superior sound and response

A versatile pedal that brings extreme gain, mild overdrive and everything in between to the distinguished tone chaser

Achieves some of the most convincing "Brown Sound"-a tone and style of distortion

Features two distinct styles of gain structure to give you maximum control over the tone

Same magic sounding buffer with all of the clarity, punch, and detailed breakup of the original Tumnus

Easily accessible true bypass performance for uncolored tonal purity at the flip of the side mounted switch

A classic treble control like the original perfects the pedal’s higher frequencies

Unique asymmetrical clipping circuit produces tube-like overdrive characteristics

Mild-to-moderate drive tones with focused midrange and tight low end

Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones

Disttion Effects Pedal f Guitar

Keyboard with Disttion

Tone Controls

Bitcrusher Pedal Compact Bitcrusher/Sample Rate Reducer features a Variable, Flexible and Sweet-Sounding Digital Downsampler

3-Mode LoFi Tone Shaping: Radio Simulator, Normal Mode, and Vintage Gramophone Simulator on Bitcrusher Guitar Pedal

Sampling Rate: 750-44100Hz; Bit Depth: 5-16bits for the guitar effects pedal

Combines mixer's most iconic phase circuits in a single mini housing

About half the footprint of a standard mxr pedal

45/90 Switch toggles between phase 45 and phase 90 circuits

100% Analog Design keeps Noise away from your noise gate pedals without changing Dynamics and Tone Characters

Easy-to-Use One Knob Control (Threshold) for the Main Function on the noise gate guitar pedal

Two working Modes for FAST or SMOOTH noise reduction For this Noise Gate pedal

Grab a piece of Eddie's magic with the MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop

Instantly toggle between a vintage, "Script Logo" phase tone and a more modern "Block Logo" phaser

EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar

Designed in close collaboration with Eddie Van Halen

Features multi-stage mosfets, 3-band EQ, boost switch, and Gate

Extremely versatile

Capture Jimi's elusive live sound from Woodstock, Berkeley and Fillmore East

Based on Octavio circuit without octave up signal

Pedalboard-friendly size

Signal Flow from A/B to Y, or from Y to A/B on the guitar pedal

Selectable "A and B" / "A or B"

LED indicates Working Status for the Aby pedal

JOYO Baatsin 8 in 1 overdrive & distortion pedal, picked 8 classic overdrive and distortion sounds after we studied many guitarists' great preference.

Pure analogue circuit, one pedal offering several genres of music, it's good value for money, with true bypass provide transparent tone,minimize the tone loss to keep the best tone quality.

Whole new appearance and the iconic ambience lights bring out futuristic and retro styles, displaying a perfect fusion, will make our soul happy whether are jamming in the bedroom, studio or on the stage.

100% Analog Circuit guitar pedal takes you from Classic Creamy Fuzz to High Gain Fuzzy Distortion

Muff Style Fuzz Pedal Sound designed for both Guitar & Bass

Wide Tone Control Range from Pitch Dark to Aggressively Blasting guitar fuzz pedal

4-Mode Delay and 4-Mode Reverb in One delay reverb Pedal

Maximum 2000ms Delay Time with Tap Tempo Function on the guitar effects pedal

Tap Tempo Function for Real-time RATE Control on the reverb delay pedal